Generic Fair Use

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Tag: standing to sue

Bait and Switch Advertising in 2020: Is Grubhub violating the Lanham Act?

Even in the midst of a pandemic and an unofficial national lockdown, people still have to eat. With outings to the local restaurant and trips to the grocery store being potentially risky, food delivery services have become an essential part of American life in 2020. For large-scale service providers like Grubhub, it has been a relative goldmine for business.

But is Grubhub scamming us all? On May 15, 2020, BuzzFeed reported that even if you seek to bypass Grubhub service fees by calling restaurants directly, you may have been fooled by a bait-and-switch phone number. These restaurants are still paying Grubhub for extra fees.

How is this legal? More specifically, is this a violation of the Lanham Act for false advertising or customer confusion and deception?

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An “Unusual” Publicity Rights Claim

Alfonso Ribeiro sues video game makers over the “Carlton Dance”

December 19, 2018

On Monday, December 17, 2018, Alfonso Ribeiro, an actor best known for roles on “Silver Spoons” and “The Fresh Prince of Bel-Air,” filed two separate lawsuits regarding copyright and publicity rights associated with what is colloquially known as the “Carlton Dance.”[1] Ribeiro sued the makers of the popular Fortnite and NBA2K games for their allegedly unauthorized uses of this dance choreography. His causes of action are based on copyright infringement, violation of publicity rights (California state law), and state and federal unfair competition claims.

The lawsuit(s) begin by asserting that Ribeiro is “an internationally famous Hollywood star, known for his starring role as Carlton Banks from the hit television series The Fresh Prince of Bel-Air and as host of America’s Funniest Home Videos. Ribeiro created his highly recognizable “Dance,” that has also been referred to by the public as “The Carlton Dance,” which exploded in popularity and became highly recognizable as Ribeiro’s signature dance internationally. The Dance is now inextricably linked to Ribeiro and has continued to be a part of his celebrity persona.” The lawsuits later allege that “The Dance has become synonymous with Ribeiro.” In short, these assertions are wildly debatable. Given the national attention this case has received, I would like to look at some of the legal issues raised by these lawsuits and address the possible and likely defenses to Ribeiro’s claims and contentions.

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PETA fails to throw a monkey wrench into copyright authorship

Copyright is the exclusive domain of humans. So says the U.S. District Court for the Northern District of California. Oh, and the U.S. Copyright Office, too. A recent appeal made on behalf of haplorhine primates everywhere has failed to extend the law to allow monkeys to be the authors or owners of copyrights in the United States.  How and why are we even talking about this? Because in 2011, a monkey in Indonesia took a selfie. The monkey even smiled for the camera!

The resulting images created a firestorm for copyright law when the owner of the camera began publishing the monkey’s pictures and asserting copyright claims against others.  On September 22, 2015, PETA filed suit on grounds that the camera owner and his publishing company were infringing the monkey’s copyrights. As if that lawsuit was not bizarre enough, it did set the stage for one of the more amusing Motions to Dismiss ever filed in federal court. Nevertheless on January 7, 2016, Judge Orrick granted the Motion to Dismiss and held that a monkey cannot be the owner or author of a copyright.

While the monkey, now known as “Naruto,” may not be able to enforce any copyrights, it does raise interesting legal issues to address and consider.

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